I first visited Suwon back in 2014, as a way to kill time during a free afternoon. At the time, I went with the aim to visit Suwon’s famous Hwaseong Fortress wall, stretching a total of 5.52 km and dating back to latter period of the Joseon Dynasty (1392-1910). The Fortress Wall, demarcated at the four cardinal directions by four gates – Janganmun (nort), Paldalmun (south), Changnyongmun (east), Hwaseomun (west) – and the Sumun gates. which flank the point where the stream meets the palace, is a highlight of the remaining Joseon history in Korea, and provides a great day-trip from Seoul. Yet, at the time, I didn’t make it to the palace itself, seated below the iconic Hwahongmun pavillion. The palace was used as a temporary palace, to retreat from war, by the king and royal family during the Joseon era. Aside from this function, the palace had a particular purpose and value as a place for King Jeongjo to worship his father’s tomb, housed in one of the palace’s quarters.
This rich history, however, wasn’t what brought me back to Suwon. Rather, it was Hong Sang Soo (a famous Korean independent film-maker)’s 2015 film Right Now, Wrong Then (지금은 맞고 그때는 틀리다), that planted the thought in my mind. While watching the film, one quiet night in my apartment, I recognized the film’s background. The two main characters meet, at the start of the film, inside the palace, followed by an awkward exchange where the male protagonist (Jung Jae-young) asks Kim Min-Hee’s reluctant Yoon Hee-jung for coffee. “Insists” might be a better choice of words than “ask”, typical of the desperate male characters that appear in his films. Later on the two characters meet at a cafe and end up drinking soju, paired with sashimi and sushi at a small sushi bar near the palace.
With only a plan to visit the palace, I unexpectedly stopped by the sushi bar as well. I met my friend Jun-ho one afternoon, and we spent time catching up while walking along the fortress wall, meandering our way towards the main palace, where Jun-ho explained to me both the palace’s history and unique architectural characteristics. We spoke together, mixing English and Korean, helping each other find the words we needed at times, as the language used in describing palaces and Korean history can be uncommon and complex. While a lot of what I learned has since left my mind, one image remains. It was Jun-ho’s description of the chimney’s used in the palace…To the western mind, it’s hard to imagine a chimney without a thick cloud of black smoke ascending from it’s mouth. Yet, these palace chimney’s were designed in a way so that the heat emerged clear. Jun-ho described the interior of the chimney as being composed of a complex tube system which cools/alters the smoke in such a way to reduce it to clear heat. Again, science isn’t my specialty, so I don’t quite remember nor understand how it works..but the image stuck in my mind, as another example of Joseon-era innovation.
After our walk around the palace, we stopped by the sushi bar I previously mentioned, sharing a beer over a mixed sashimi/sushi platter, as the day winded down. Scenes from Hong Sang Soo’s movies repeatedly sprung to mind as I ate, a experience I’ve repeatedly had in Korea, having watched many Korean films prior to first arriving here. The sushi was okay, nothing to rave about, but the quiet atmosphere and the cold beer made the meal a pleasant end to the day.